CommunicAction and Perspectives on Modern
Web Literary Avant-Garde
Caterina Davinio is an Italian artist, writer and curator.
She received her degree in Italian Literature from La
Sapienza University in Rome and subsequently undertook
experimental projects that fused video, computer and
internet technologies with traditional literature. Since
the early nineties she has curated numerous exhibits
and organized and participated in many itinerant festivals,
all aimed at bringing to the fore such avant-garde literary
projects. Noteworthy among the many festivals are Electronic
Poe(try)visions (Perugia, Rimini, Rome, Genova, Palermo,
Cagliari 96-97, Bergamo 98, Chieti 2000, Cheti and Rimini
2001), After the Electronic
Arts: the New Experimentation (Pecci Museum, Prato 95), and Techno-Poetry (Rome 2001).
Her works as a new media artist have been shown in more
than 70 exhibitions worldwide including: International
VideoArtFestival (Buenos Aires 95), the 48th and 49th
Venice Biennials, and Polyphonix 2002 (Paris). Davinio
has also published an extended essay, Techno-Poetry
and Virtual Realites (Sometti, Mantova, Italy, 2002).
Very Fluxus and absolutely avant-garde, Caterina Davinio’s
Karenina.it site pushes the boundaries of poetry and
literary discourse deep into the digital realm. The traditional
sheet of paper is replaced by binary code that can now
be read by more people simultaneously by virtue of the
worldwide network in which it resides. The website makes
use of the freedom of communication the internet offers
in order to present the experiences of literary artists
that experiment with the grey areas of literary theory
where traditional writing, visual arts, and digital technologies
fuse. In Karenina.it, historical artistic movements merge
with literary discourses and critiques to subtly mould
into a dense artistic/literary schema. Since 1998 the
website has been an expanding collection of discourse
and critique on new media art, experimental art, avant-garde
literary theory and net-writing essays. It was the first
art-poetry/communication project presented on the web
in an Italian context. The suffix ‘.it’ that
follows the Karenina title of the website is indeed a
geographic locator for the origin of the website (‘.it’ being
the suffix that indicates an Italian website). The value
of the site is however not defined by any discourse of
geographic location; it rather resides within the conceptual
framework of the Fluxus art movement.
Emerging in the sixties in New York and quickly spreading
to Europe and Asia, the Fluxus movement brought together
elements of Dada, Zen and Bauhaus ideals. An unstructured
network of Fluxus artists from around the world was firmly
established throughout the sixties and into the seventies.
A spontaneous playfulness defines Fuxus art and performance
works. The unplanned and seemingly chaotic blend of mediums
and art forms has a tendency to come together as a rather
structured whole in the hands of a Fluxus artist. The
fusion of mediums and materials as diverse as ready made
scavenged posters, newspaper cuttings, mail art, and
everyday objects created a happy feeling of disorientation
to the Fluxus artist. |