As news media continues to permeate of all aspects
of western society, it now makes up a large portion
of an individual received daily stimuli. A basic cable
package now offers two or three dedicated news channels,
while the Internet offers a limitless amount of news
resources. With the exponential improvements in communication
processing and speed through modern technology, the
information that media delivers is now updated in real-time,
with news reports arriving shortly after an event has
taken place.
Such rapid delivery of substantial amount of information
available to the individual has serious implications
on how society begins to view the news media phenomenon.
With so much exposure, people are becoming neutral to
this information. As news reports are being broadcast
constantly on several television channels, numerous
Internet news services as well as online email and search
websites, they take up an extensive portion of a viewer's
time. This mass of information can overload and desensitize
the individual, to the point that individual news reports
blend together into an incoherent clump of data. As
news becomes more and more available, its worth is starting
to deflate. Because of the availability of information,
the value of a single news report has never been lower.
<event>, by Michael Takeo Magruder, offers
the audience a five by seven grid of clickable pixilated
images, appearing much like television screens in a
store display. When an image is selected, it changes
to a full size visual display with a headline caption.
The screesize visual display with a headline caption.
The screen changes automatically to broadcast news report,
accompanied by audio. A text version of a BBC report
is presented to the viewer, with the block of text simultaneously
acting as a projection screen for a video version of
the same report. An audio narration by a newscaster
runs in tandem.
While the combination of these elements: text, audio
and video, is easily understood to be a news report,
the contents of the report are hard to discern. The
text projection screen makes it hard to see the video,
as a large portion is obscured by dark spaces between
words and letters. As the video projects on the text,
it changes the text color, obscuring and confusing the
written message to the point of illegibility. The audio
running in the background is no easier to understand,
as it is fragmented, muddled and interrupted by static.
The resulting mosaic is visually engaging, but the
report loses its meaning. As the information is separated
into its three sensory channels (video, text and audio)
and combined again, the sum of the parts becomes less
than their original whole. The individual channels lose
meaning and coherence, and become further convoluted
in combination. Different reports, although unique in
content, begin to look the same, as none are easily
readable.
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