Introduction
Taiwanese art has accelerated during the last two
decades for a variety of reasons. Having recently outgrown
the experimental stage in which artists were mostly
imitating western art movements, present day Taiwanese
artists have begun to develop their own direction within
their work. For example, more and more contemporary
Taiwanese artists find their interests lie with in installation
art and video productions. Tseng Yu-Chin is one of the
emerging voices within this movement. Having graduated
from Shih Chien University in Communication Design,
he is currently a graduate student at Taipei National
University of Arts. Several of his works have won outstanding
local awards, such as The 2004 Taipei Art Award for
his video production "Who is listening?"
Tseng Yu-Chin's video art focuses on the psychological
world of everyday people rather than documenting the
external world. Most of his works deal with issues such
as memory and people's consciousness. Derived largely
from personal experiences, his artwork evokes sentiments
such as grief, shame, unhappiness, comfort and love;
this in turn binds the viewers with universal experiences.
Undoubtedly, some viewers will find sections of his
work shocking, even offensive, upon first glance. However,
after several visits, viewers will hopefully begin to
understand the reasons behind Tseng's choices of images
and his ultimate intentions. For example, in "Who
is listening?" viewers discover a boy wearing only
a pair of shorts, playing intimately with a woman (I
will assume that she is his mother). With the background
noises of laughter and heavy breathing, viewers might
associate this scene with sexual connotations. After
watching for a while more, one may realize that this
piece is actually depicting something more than eroticism.
In a way, Tseng plays with different realizations of
conventional sexual concepts between adults and children.
Whereas adults generally have more assumptions and rules
regarding sexuality, children usually do not have these
assumptions and constraints in place. Therefore, children
tend to be less inhibited and more open to experiences
that are considered "sexual" by adults.
In terms of Tseng's growing reputation as a contemporary
artist, his distributional success has allowed his work
to become more visible to an international audience,
given his works are also on display on-line at www.oxy-spot.com.
More importantly, the web site is available in both
English and Chinese, giving non-Chinese viewers an extended
opportunity to explore and experience his works. Additionally,
his poetic and sensual writings about his works also
provide a second dimension in which to frame his work's
meaning.
I am very grateful for the opportunity to have interviewed
Mr. Tseng Yu-Chin by e-mail. In our email conversations,
the artist reflected on how he discovered video art
the context in which his work fits within the Taiwanese
market. Tseng was also gracious enough to further discuss
how the education system functions in Taiwan and how
all these factors have impacted his creative art process.
Tseng's discussions about his art has especially assisted
in comprehending his work in greater depth and in relation
to contemporary trends in Taiwan. I am presenting our
email exchanges as a dialogue for the reader to follow
and learn as I did. While the exchange below is translated
into English, the original text is also available.
Interview
Ying: Hello Tseng, I am an art student living
and working in Canada; however, my early education and
life started in Mainland China. I would be really appreciative
if you could talk about your own education and it impacts
on your production. Furthermore, if you could give me
an overview of how your work is received and displayed
in Taiwan and abroad, this will assist with further
questions. Lastly any thoughts on Taiwanese art movements,
people or other concepts happening and their role in
your art product will all assist future questioning.
Thanks.
Tseng: I originally studied biochemistry at
the university however after some deep changes in my
family life, I switched to the visual communication
design department at Shih Chien University. These studies
focused on animation, web, and print design. After my
studies I was able to access a local theatre's props
and within a year, I learned the fundamentals of how
to stage atmosphere and create space. However, it was
after I entered the Graduate School of Technical Art
at Taipei National University of the Arts that I began
to acknowledge academic theory and the correspondence
between individual art works and their relation to the
art system.
Regarding my training audio visual training, I suggest
this began in high school. I also went to an extracurricular
photographic association and learned about still life
photography over an extended eight or nine year period.
Although it was not until I went to university did I
begin to understand computer graphic design and digital
visual art.
My personal interest in European films is another factor
that influenced narratives I create. I am more interested
in how passages of life and video echo each other and
interact.
|